How Oppenheimer’s Sets Were Built Without CGI | Vanity Fair

Production designer Ruth De Jong shows us how she brought Christopher Nolan’s vision to life for his iconic film ‘Oppenheimer.’ How do you portray scale with sets? What goes into building a 360 set? From ample research to gather all the intricate details to physically bringing the sets to life, Ruth takes us through her genius design process of the film.

Director: Funmi Sunmonu
Director of Photography: AJ Young
Editor: Cory Stevens
Talent: Ruth De Jong
Producer: Juliet Lopez
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi and Kevin Balash
Associate Director, Talent:: Meredith Judkins
Camera Operator: Marques Smith
Sound : Kara Johnson
Production Assistant: Liza Antonova
Set Designer: Cedar Jocks
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Jovan James
Supervising Editor: Erica DeLeo
Assistant Editor: Andy Morell
Graphics Supervisor: Ross Rackin

Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M

Want to stay in the know? Subscribe to Vanity Fair Magazine and be exquisitely informed ►► http://vntyfr.com/2RuQGW2

ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.